The Only Good Indians by Stephen Graham Jones
/
Stephen Graham Jones’ The Only Good Indians opens with a horrific scene. A young Blackfeet man, Ricky, had left home and joined a mining crew in North Dakota, and makes his way through a bar — one of two in the joint — and encounters a terrifying, spectral presence in the parking lot. It’s an elk, and as it sets off car alarms in the parking lot, the angry, drunk miners in the bar target Ricky and brutally murder him.
The murder sets the tone for what’s to come as Jones jumps from character to character — Lewis, Ricky, Gabe, and Cassidy — four childhood friends who grew up on a reservation, and who are each visited by this spectral presence. A decade before, they embarked on a hunting expedition in a forbidden part of the reservation, one reserved only for their tribe’s elders, trying to make the best of a slow hunting season. It’s there that they hit the jackpot: a herd of elk that have huddled together in the middle of a snow storm, easy targets for the four young men. Shen the shooting stops, eight of the creatures are dead, but one refuses to die — it keeps trying to escape, despite its mortal wounds, and it isn’t until they finish her off that they realize that she was pregnant.
The four are caught by tribal authorities and forced to leave their kills behind, and a decade later, the past begins to catch up with them. Lewis has moved on, working as a mailman, and living with his girlfriend, Petra in a house they share. He too is soon haunted by the specter of that elk that refused to die, injecting him with paranoia, and he hatches a plan to try and kill it before it kills him, a plan that backfires spectacularly. The elk soon turns its attention on Gabe and Cassidy, stalking and torturing each of them in turn before striking.
There’s plenty of gruesome scenes here: Lewis slowly loses the people around him in some cringeworthy ways — from his girlfriend’s nasty fall onto the edge of a brick fireplace to a murder of a coworker he believes is really the ghost of an elk — but where Jones really shows off his mastery is the slow burning tension that permeates the pages. As Lewis descends into paranoid insanity, we can see what he can’t: that he’s being manipulated by the creature into committing some horrible acts. Even once the characters begin to realize what’s happening, it’s hard to break away from the game before it’s too late.
The novel is more than just a revenge fantasy from a wildlife creature — Jones points to a flaw at the heart of each of the characters: a sort of corrupted masculinity that drove their initial slaughter, and which drives their actions as they try desperately to survive. Ricky joined a mining crew, enduring the racism and intense, dangerous labor to be a man. Lewis is tempted by a coworker, while Cass and Gabe contend with alcoholism and poverty that has ruined their relationships with family or brought them into conflict with the law. The spectral elk doesn’t really need to do much in order to extract her revenge from each of the four men: she just has to push them in the right direction, and leave them to marvel at the horrors that they have perpetuated. It makes for a tense, frightening, and gripping read.
