Tell Me, Xenia Dunford

I haven't written a whole lot about music in recent years. For a while after college, I was obsessed with trying to discover new artists and music, and in another world, I might have become a music journalist. I don't come across nearly as much new and cool artists these days, but I did stumble upon Xenia Dunford the other day, and I'm really digging her work. 

Xenia is a local artist out of Burlington, Vermont, and a bar I follow on Facebook advertised that she was going to play playing this weekend, so I gave her a listen. Her style is folksy —a bit like Marian Call, Marketa Irglova, or Dawn Landes. 

She's recently released a pair of EPs: Flesh and Bone (& Everything Within) A and B, (You can listen to A here, and listen to B here), and they're quite good! I'll be watching for more from her. 

Morning Bugle - Aoife O'Donovan


Growing up, a stereo was a fixture in our living room. Laden down with vinyl records, cassette tapes and later CDs, it made sure that there was some music in the house. Artist such as Alison Krauss and Union Station (So Long, So Wrong is one of my favorite albums), Enya (her album Watermark is one that I will *never* get tired of), Nanci Griffith (Other Voice, Other Rooms), Gordon Lightfoot (Where to start with his albums?), Fleetwood Mac (Greatest Hits) and a whole bunch of others fill me with an incredible sense of nostalgia.

I *despise* A Prairie Home Companion, but I'll catch snippets of it while driving - this past weekend, they had a song that made me stop dead: a cover of John Hartford's Morning Bugle, sung by Aoife O'Donovan. I hadn't come across her before, but it was a song that fit in that same vein of nostalgia from my childhood. I promptly bought her latest album, In The Magic Hour, which I've really been enjoying.

Ray LaMontagne - No Pressure

Ray LaMontagne has a new album out, Ouroboros, which features the singer along with My Morning Jacket. It's a really sublime album, featuring just two tracks, designed to imitate the 'vinyl experience'. There's really eight tracks on the album, and it's up there with the best of his works.

LaMontagne is one of those artists that has gotten better as time has gone on, and his music has been a real comfort at various points in my life. Till The Sun Turns Black tracked some things in an uncanny fashion, while Gossip in the Grain helped (and alternatively didn't help) with the aftermath. God Willing & the Creek Don't Rise was brilliant, and Supernova was quite a bit of fun.

I don't quite know where Ouroboros fits there, but it feels like one of those albums that feels different, special. It's short - just 40 minutes or so but it's packed with a lot of material. There's some echoes of Pink Floyd's Dark Side of the Moon in the background, and probably some other influences that I haven't picked up yet.

What I found really interesting here is LaMontagne's reflection back on his older albums: he noted that he can't listen to Trouble without cringing:

I can’t even listen to Trouble because all I hear is a much younger me manhandling the process. I hear that on the first record, the second record, the third record. There are little moments that start to come through as the records progress, but mostly I just hear myself manhandling it. I’m trying too hard. I’m trying to shape the songs too much. I’m singing too hard. I’m pushing too hard. But when you’re just learning, that’s something you have to go through before you figure it out. I felt like with Supernova, when I listen to that album, all I hear is magic. I hear myself completely out of the way, just letting the songs dictate. They tell me what they want. I follow them. It’s their game.

You can certainly hear the learning curve, but he started at an already high point with Trouble - he started with a fairly conventional album, and with every followup, you can hear his music become more and more sophisticated.


Josh Ritter, Sermon On The Rocks Josh Ritter stopped by South Burlington's Higher Ground the other day, and I went up with a couple of friends to see him. I've seen Ritter and his band a couple of times already, and he puts on a decent show.

This wasn't my favorite concert of his that I've seen: the setlist didn't work for me as much as I'd have liked: he held most of the songs off of his new album, Sermon on the Rocks until the very end, which is a shame, because it's one kickass album.  I stayed through until I heard Homecoming, though - it's turned into one of my favorite songs.

Homecoming is one fantastic album, one that channels Paul Simon a great deal. There were some of the other brilliant songs: Henrietta, Indiana and Getting Ready To Get Down were in there (that one was great to see live) and there were some other good ones from this and earlier albums. It just didn't click together. Still, it was a fun night: I ran into three high school classmates that I haven't seen in years - ten minute catchups on everything that's happened in the last decade and a bit.

Sermon on the Rocks is something that you should pick up and listen to, though. Ritter's one of those artists who has steadily gotten better over every album - after already starting from a great first album.

One thing I realized: I really miss live shows.

FOALS: Birch Tree

I first came across the FOALS a couple of years ago with their song 'Spanish Sahara'. I don't remember exactly what context, but I think it was one of those end-of-the-year film mashup sorts of things.

YouTube sent me over to this track from them, 'Birch Tree', off their latest album, What Went Down. This feels a little more energetic, and I'm digging the chorus. It's keeping me accompanied this week while I write.

Ms Mr: Hurricane There are some albums out there that just come out of nowhere and strike you: that's what happened with me with Ms Mr's debut album, Secondhand Rapture, and in particular, their song Hurricane.

I'm not sure where I first heard Hurricane, but it was something that just grabbed me. Lizzy Plapinger's vocals are haunting, and there's a nice intersection between her voice and music that accompanies her. I picked up the whole album on that song alone, and the entire thing is really good - it's one of the few that I'll throw on in the background while I'm writing.

They have a new album out now, How Does It Feel, which I haven't listened to yet. I loved Secondhand Rapture quite a bit, and as with any sequel, I'm not sure if it'll live up. But, I'll give it a listen.


Don't You Give Up On Me, Lissie Here's an album I'm really looking forward to: Lissie's Wild West, due out in February. The lead single is Don't You Give Up On Me, which is a really catchy track from the first bit of guitar work to the chorus. Her debut album, Catching a Tiger is a great rock album that you really should listen to.

It's been years since I've done any sort of proper music blogging. I miss it, because it put my ear to the ground and forced me to listen to a ton of new and upcoming artists. That's actually how I got my start as a blogger: before I got into reviewing science fiction, I listened to a lot of music, and went to a lot of concerts. 

I sort of stopped when I started focusing on science fiction, because I'd hit a point where I realized that I had to either commit to it full or part time (hard, when I was only really doing it on lunch breaks, and with no internet), and because there's only so many ways that you can describe an angsty, bearded artist wielding an acoustic guitar.

But, I've got some time now, and I've missed discovering new artists. I doubt that I'll ever return to actual music criticism, but there's plenty of albums out there that I want to share.